There is one error that novels have led us into, though probably only one. While they often leave us with a clearer and better understanding of life than life itself is able to afford us, they have also been known to leave the unfortunate impression that personality is a personal matter – as if it were the private quality that a person retains when detached from the world. The kind of thing that can be put into a separate paragraph called a character sketch. Without any fear of offending those who like character sketches – assuming they like fiction too – I am ready to maintain that character sketches are the most fictional part of fiction. The old poets knew nothing of them; the Greek tragedies had no need of them, and Homer would be astonished to learn that ‘Splendid Hector’ was not a sufficiently detailed description. The events of a novel may be said to be real, to exit, in so far as they tumble out of the abstract into the false reality of the novel one by one in mimicked historicity. The settings may be said to be real insofar as they are feigned to be physical and, in the novel, objective. Even the characters in a novel are ‘real;’ but the personalities are a fiction within the fiction. They are about as real as the figures in a sum, which, just like personalities, always behave in a certain way, but have no business with the world when they are not called into this kind of hypothetical action: personality is fundamentally, even mathematically abstract. You may see a body walking about without a person in it – the thing has been known to happen in ghostless ghost stories; you may even see a person without a body, if you are willing to extend the meaning of ‘sight’: for I suppose that is just what the celestial hierarchies are. But you will not see a personality, either with or without a person. You may see its actions; but it is a spectre, too spectral to be even a ghost. It is not a mere ghost, it is a mere nothing. Worse: it is a mere convenience. It is almost as figmental as the value of money or the political partitions of Antarctica.
Not that this should bother us, if we have any vestiges of sound Platonism left in our blood. For such cases, the Platonists have their own terminology. They prefer to say, in their topsy-turvy way, that personalities do exist, while persons and bodies and souls do not, or at any rate exist less. But for our present purposes, we may quietly lay these startling stabs in the dark aside. It is enough to simply say that personalities do not exist, that they are a fiction and a phantasm, and to reiterate that fiction is often more real than reality itself.
Still, this fiction of personality – it is not a person’s private side by any reconning. It is not what they bring to the world. If anything, it is what the world brings to them: it is in a sense their public side. It is because it is so external that it has no existence of its own: like the image in a mirror or the colour of the ocean or a glint in the eye. It is purely reactive, the sum and quality of one’s reactions. Love, hate, knowledge, ignorance, excitement, ambivalence – these are what makes up a personality, and they are all responses. You do not love in the abstract, you love something; even if by some unprecedented beatitude or tragedy you love everything. Excitement may be general and objectless; but in such cases it is physiological, and represents the mind’s reaction to the body. We could say that people carry their personalities around in their heads (as a man might carry a myth in a briefcase, or the sixteenth century in his pocket), only if we can say that people carry a whole world around in their heads – a whole world of things to respond to. For you cannot love or hate or know or not without things to love and hate and know and not; and a full personality is a full reaction to a whole world. The only real and honest way to give an indication of your personality is by talking about everything else. This is what Browne does; and though he sometimes employs the traditional expedient of such phrases as ‘I believe’ and ‘I feel,’ he is always talking about things more important than himself. Hence he did not write the Medicus Religiosus, the Religious Physician, but rather the Religio Medici, the Physician’s Religion. If he had set out to tell us about himself, his whole self, and nothing but himself, I think he would have written a very boring book. As is, he wrote a book about everything else; and I am willing to accede that he himself is one of the most interesting parts of it.
We feel we learn a lot more about Browne in Part 2, because in Part 2 we hear about a greater variety of topics. In Part 1 there are angels and demons and pagans and stoics; in Part 2 there are snails and shipwrecks and pipe organs and beggars and dreams and marriages and offenses and friendships. Part 2 seems more personal; for it seems somehow more important to know whether someone eats snails than to know whether they believe in angels. This is an illusion. It is far more important to know whether someone walks out amidst the flaming brands and flashing helms of invisible seraphim when they leave the house in the evening, than to know whether they are likely to strike land at the door of a French restaurant. But the illusion exists; and we may allow it; and we may concede that, at the end of the day, opinions on snails really do matter as well. So now that we have come to understand precisely what kind of world Browne inhabits, we are ready to gain a whole new depth of acquaintance, the depth of acquaintance that the rambling eclecticism of Part 2 provides.
As he talks his way through a world of digressions, we discover that Browne is not a cynic. He may feel he has ‘outlived himself;’ he may count the whole world hardly worth a groat – ‘not an inn to live in, but an hospital to die in’ – but it if it is a hospital, it is a hospital of an unprecedented kind, so much and varied delight does it provide him. He is in fact receptive to everything. He says he has no antipathies, and there are only three real exceptions. The crowd he dislikes because it is the people without personality; it swallows individuals in a cruel and indifferent manner, and Browne likes individuals. He speaks to anyone and everyone, to people of all degrees and qualities, he listens more than he talks, he rates friendship as highly as mountains must rate the luxury of a cloudy summit, and the one vice he deeply and truly detests is the vice whereby a man cuts himself off from the best and broadest selection of the citizens of the world – pride. Browne’s mind is extraverted, though his habits must have been on the whole introverted; he enjoys the society of all people, and of all the world – in his archaic language the first would be called ‘charity’, and the second ‘philosophy’; we would call them personability and science. To be outward looking is a fine trait. It is certainly one of the finest personality traits, and even something more. It is personality. It is the very substance beyond the abstraction, the material that people are made of: the more of this quality there is, the more personality; the less, the less. If you have ever met a person who is interested in absolutely nothing, you will know what I mean. A person who hates everything is more humane than them, because at least in hating they take an interest in things. There are personalities that are nuanced and cynical; but there are no personalities that are nuanced and apathetic. To be interesting means being interested. To be a person means being a microcosm. The world must mean something to you if you are to mean anything to the world. Hence the malignance of pride, the once vice Browne detests above all. For the real issue with being full of yourself is that you cannot be full of anyone or anything else. It is something to do with mental prisms and the geometry of the soul: Pride is when someone allows their person to crowd out a greater or lesser proportion of their personality. They become simply unpleasant, and if they have not reserved enough humility for an interest in even such trifles as wit or novelty, they become indistinguishable from their arrogance. They lose their personality.
Besides the crowd and pride, there is a third thing Browne dislikes – high tempers. He thinks, as so many of us think today, that it is an outright breach of charity to impose one’s beliefs on others by force; but in a spirit that takes him further than most of us go today, to the principle that ‘in all disputes, so much as there is of passion, so much is there of nothing to the purpose’; and further even than that, to a resolve to believe that (at least so far as he is concerned) ‘there is no such thing as an injury’ – that he should not be offended even by outright offences. Caveat emptor; it’s not easy to praise such generous self-immolation without self-condemnation. Needless to say, most critics praise his peaceability without realising what they are getting themselves into. But if there is an utter lack of quarrelsomeness in Browne, there is also almost an excess of assertion. He is deferential – but not indecisive. He can flash fires of hyperbole and stake out an peculiar position to hold against the world; but so soon as the smallest part of the world comes to dispute it, he sits down eager ‘to be informed’ and willing to change his mind.
The problem is that Browne is usually quite logical in his positions, and more often than not, the whole world must have gone away disappointed. There must have been more than one occasion like that of the mariner who came to gush about star-gazing: he only knew three stars, and amidst his astronomical effusions never guessed that Doctor Browne, who probably led him on with occasional encouraging nods and vague queries, could name every constellation in his hemisphere. It is this grandiosity, this nimiety, that twists the physician into those startling postures that the world would want to argue him out of. Of such a kind is that thunderbolt about almsgiving – ‘I give no alms to satisfy the hunger of my brother, but to fulfil and accomplish the will and commandment of my God.’ The will and commandment of his God, of course, being that he should satisfy the hunger of his brother; and his point being that mere instinctive charity, the satisfaction of a feeling of pity, is only a second best. But so also with that other opinion of his that has caused such scandal, where he calls ‘this vulgar way of coition’ an ‘odd and unworthy piece of folly’; which he wrote some years before the commencement of his own happy marriage, and in which, when we allow for the bias of his humour, and the winding train of his argument, he is basically correct: more even than eating or sleeping and all the best things in life, sex is laughably incongruous with the dignity of our spiritual nature. It is human humility, and human humour, to accept these contradictions; it seems strange to blame Browne for being able to question them as well as enjoy them. I mention these two opinions because they represent those few kinds of occasions where Browne seems off-putting, and they show that if any one real fault dominates, it is not that he is heartless or puritanical, as some think, but rather that he is reckless with his reasoning. He is never shy of the conclusions his logic might lead him into. But there are more splendid illustrations of the same. One example is the conclusions he draws from that ancient theme, that man is a microcosm. It is ancient, for the Norsemen knew it, when they whispered that the gods had carved the earth from the body of a giant, and the peasants of Hellas knew it, when the spoke of the warring of the elements and the conflicting tempers of superhuman princes. It is the idea that the world, shrunk down, would be essentially anthropoid; or that a human being, writ large, would be truly and comprehensively cosmic. Everything that may be found outside of man may be found inside him; matter and time and space, life of all grades, every branch of science and history, the angels and God himself, all have their part in man. Browne finds the idea striking enough, but more striking still are the endless new conclusions he draws from it. He says, for instance, talking of the Judgement, that the combustion of the world and the destruction of all things is a trifling matter, since, man remaining, all the world will survive in him. He says that no one is ever truly alone, on the one hand because God is always present with them, sure; but on the other, because the whole world subsists in them, and with them, even when they are locked in their 17th century closet. He warns that harsh treatment of oneself leads to harsh treatment of other, but maintains that the blazing and bitter self-reproach of deep repentance is not always out of place, since ‘therein we do but imitate our great self, the world,’ whose violent discords and sudden changes balance each other to maintain the stability of the whole. And he claims that he is a great traveller and universal scientist, simply by being an anatomist. For ‘we are that bold and adventurous piece of nature, which he that studies, wisely learns in a compendium, what others labour at in a divided piece and endless volume.’
This is truly thinking things through. To be ready to weigh the harrying of the heavens on a bathroom scales, to infer that his study is home to Arcturus and the Amazon by being home to him, to justify an emotion on analogy with natural disasters – ‘we do but imitate our great self’ – all in response to an old chestnut; that is surely a special kind of discernment, and not unworthy of the name of philosophy. It is sane singularity; it is Browne ‘keeping the road’ in his paradoxical way. He is original even amidst his unoriginality; he revolutionises conservative ideas. And such are the things that make his personality, and that make the author of Religio Medici so compelling. He has not tried to make himself an individual; he has tried to be charitable and sympathetic and logical and wise. But that is how he becomes so individual. He is not self-made, except in the sense that he has made himself receptive to everything else – to people, things, and ideas. So it comes that from this little book about everything that is not Thomas Browne – about God and the devil, about virtue and vice, angels and worlds and salads in churchyards, about relics and Romanists as well as music and mariners – the physician emerges as one of the finest and most winsome characters of the century.